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Howard Bay (May 3, 1912– November 21, 1986, New York City, New York) was an American scenic, lighting and costume designer for stage, opera and film. He won the Tony Award for Best Scenic Design twice. ==Career== Howard Bay was born in Centralia, Washington to parents who were teachers; his father was an art teacher. Over 50 years he designed the sets and lighting, as well as occasionally the costumes, for some 105 Broadway plays and musicals as well as operas and television shows.〔("Howard Bay Designs at the New York Public Library for the Performing Arts" ), NYPL, accessed January 27, 2010〕 Bay designed sets for the Federal Theatre Project in New York City, for four operas for the National Orchestral Association, performed at Carnegie Hall, 1939–40 and for the operas ''Capriccio'' and ''Natalya Petrovna'' for the New York City Opera, 1965.〔(Biography ) filmreference.com, accessed January 27, 2010〕 Bay first designed the sets for Broadway for the play ''Chalk Dust'' in 1936. In the field of musicals, he designed, among others, sets and lighting for ''Show Boat'' (1946), ''The Music Man'' (1957) and ''Finian's Rainbow'' (1955 (), 1960). He designed the original sets, lighting and costumes for ''Man of La Mancha'' in 1965 and all revivals. For dramas, for example, he designed the sets and lighting for ''The Little Foxes'' (1967), ''My Mother, My Father and Me'' (1963), and ''Toys in the Attic'' (1960). For television he was the Art director for the ''Fred Waring Show'', CBS, 1953–55; ''Somerset Maugham Theatre'', CBS and NBC, 1954–56, and ''Mr. Broadway'', CBS, 1964.〔 He worked on the films ''The Exile'' (1947) and ''Up in Central Park'' (1948), as the production designer. He taught theater arts at Brandeis University for 14 years.〔 Bay was president of United Scenic Artists for many years.〔(Biography ) allmovie.com, accessed January 27, 2010〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Howard Bay (designer)」の詳細全文を読む スポンサード リンク
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